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Chopin - nocturne in e flat major (op. 9 no. 2)
Chopin - nocturne in e flat major (op. 9 no. 2)




chopin - nocturne in e flat major (op. 9 no. 2) chopin - nocturne in e flat major (op. 9 no. 2)

His pupil Wilhelm von Lenz recalls an amusing story: "I tormented Chopin most with the famous Nocturne in E flat major, Op. After an intense trill the calm is restored and the piece ends very quietly.īackgroundThis Nocturne is the second in a set of three written between 18, when Chopin was about twenty years old. After the last occurrence of the "A" theme, there follows a coda which at first seems bound to end the piece in a peaceful way, but instead builds up to a great, passionate climax marked fortissimo. Throughout the whole piece, Chopin uses the same kind of bass-chord accompaniment, forming a harmonically rich and stable foundation for the fluid melody. The themes become more elaborate each time they're played, with more trills, cadenzas and quick runs.

chopin - nocturne in e flat major (op. 9 no. 2)

This Nocturne is composed of two themes that are repeated in what is known as a rounded binary form, or A-A-B-A-B-A. 2 is a characteristic example of how Chopin delicately mixes ear-caressing beauty with hints of despair and melancholy. It's such a well known piece that it's glaringly obvious when something is skipped.Sign up to listen & download > Ear-caressing beautyThe E flat Nocturne, op. Just listen to that little 15 second segment and ask if it wasn't just worth having a second or two of silence between what you needed to say in order to let the music flow better in the video. A lot of what you do is quite brilliantly concise but methodically presented that if these sudden chops are put in - it's quite jarring. The me, the cut content was so minute that I didn't think it was worth removing. It's like those videos of people blogging where there are so many cuts and trims during their speech that it sounds a little choppy, even though grammatically what they are saying makes sense. Given the cut notes might have only extended the video by 3 or 4 seconds, I didn't think the cuts were really necessary - they sound very sudden compared to a lot of the other phrases where you don't just truncate them. Given the phrase (if I'm not mistaken) is only 4 bars long, and you literally played 3 out of the 4 bars, the cuts did seem quite odd in this instance.






Chopin - nocturne in e flat major (op. 9 no. 2)